JAMES LAWRENCE

PUBLICATIONS 1999-2007

“Back to Square One,” in Rethinking Malevich: Proceedings of a Conference in Celebration of the 125th Anniversary of Kazimir Malevich’s Birth (London: Pindar Press, 2007), 294-313.

Review of Frank Stella at the Metropolitan Museum of Art, New York. The Burlington Magazine (September 2007): 651-52.

Review of “Richard Serra Sculpture: Forty Years” at the Museum of Modern Art, New York. The Burlington Magazine (August 2007): 586-87.

“The Smithsonian’s Woes.” Editorial, The Burlington Magazine (July 2007): 459.

Review of “Jeff Wall” at the Museum of Modern Art, New York. The Burlington Magazine (July 2007): 512-13.

Review of “Hiroshi Sugimoto: End of Time” at the Modern Art Museum of Fort Worth. The Burlington Magazine (February 2007): 135-37.

Preview of “Matisse: Painter as Sculptor” at the Dallas Museum of Art and the Nasher Sculpture Center. Artforum (January 2007): 97.

Review of “Lucio Fontana: Venice/New York” at the Guggenheim Museum, New York. The Burlington Magazine (January 2007): 65-66.

Review of “Douglas Gordon: Timeline” at the Museum of Modern Art, New York. The Burlington Magazine (September 2006): 649-50.

Review of “Frank Stella 1958” at the Sackler Museum, Harvard University, Cambridge, MA. The Burlington Magazine (May 2006): 365-67.

Review of “David Smith: A Centennial” at the Guggenheim Museum, New York. The Burlington Magazine (April 2006): 299-301.

Review of “Winslow Homer: Making Art, Making History” at the Clark Art Institute, Williamstown, MA. The Burlington Magazine (December 2005): 848-50.

Review of James Turrell and Sol LeWitt at PaceWildenstein, New York. The Burlington Magazine (October 2005): 707-08.

Review of Carolyn Christov-Bakargiev (ed), Franz Kline 1910-1962. The Burlington Magazine (October 2005): 691.

Review of “Jasper Johns: Catenary” at Matthew Marks Gallery, New York. The Burlington Magazine (September 2005): 641-43.

Review of Branden Joseph, Random Order: Robert Rauschenberg and the Neo-Avant-Garde. The Burlington Magazine (July 2005): 500.

Review of Thomas Demand, Damien Hirst and Gary Hume in New York. The Burlington Magazine (May 2005): 352-53.

Review of Terry Winters in New York and the Addison Gallery, Andover, MA. The Burlington Magazine (March 2005): 213-14.

Review of contemporary art in New York, winter 2004. The Burlington Magazine (January 2005): 65-66.

Review of “Dan Flavin: A Retrospective” at the National Gallery of Art, Washington DC. The Burlington Magazine (December 2004): 847-48.

Review of Robert Ryman at Peter Blum and Lee Bontecou at Knoedler & Co., New York. The Burlington Magazine (November 2004): 785-86.

Review of Agnes Martin at Dia:Beacon and PaceWildenstein, New York. The Burlington Magazine (October 2004): 707-08.

Review of Willem de Kooning at Gagosian Gallery and Mitchell-Innes & Nash, New York. The Burlington Magazine (August 2004): 572-73.

Review of the 2004 Biennial Exhibition at the Whitney Museum of American Art, New York. The Burlington Magazine (July 2004): 494-95.

Review of Hayden Herrera, Arshile Gorky: His Life and Work. The Burlington Magazine (March 2004): 182-83.

Review of “Chuck Close Prints: Process and Collaboration” at the Blaffer Gallery, Houston. The Burlington Magazine (February 2004): 136-37.

Review of “Philip Guston Retrospective” at the Modern Art Museum of Fort Worth. The Burlington Magazine (October 2003): 746-48.

“All Things…All Possible Worlds,” in exh. cat. David Leapman: Building Watertight Structures in Volcanic Pools (London: Beaux Arts, 2001).

“Low Level Dissent: Gestures in the Wilderness.” Contemporary Visual Arts 30 (July 2000): 24-29.

Review of John Goto, “Capital Arcade,” at Andrew Mummery Gallery, London. Contemporary Visual Arts 28 (March 2000): 66.

Review of Jordan Baseman, “The History of Existentialism,” at Wigmore Fine Arts, London. Untitled 21 (Spring 2000): 30-31.

Review of Simon Callery, ‘Art Now’ at the Tate Gallery, London. Untitled 20 (Autumn 1999): 34.

Review of David Spiller at Beaux Arts, London. Contemporary Visual Arts 25 (September 1999): 57.

Review of “So Faraway So Close” at Espace Méridien, Brussels. Contemporary Visual Arts 24 (July 1999): 57.