PUBLICATIONS

Articles and essays:

"Cast Adrift," in exh. cat. Damien Hirst: Emergency Paintings, Danger Paintings, Hazard Pictures and Seizures (London: Gagosian Gallery, 2022), 6–11.

"Accumulated Knowledge," in exh. cat. Richard Serra Drawings (London: Ordovas, 2021), 6-31.

"Transference," in exh. cat. Georg Baselitz: What If... (San Francisco: Gagosian Gallery, 2020), 72-87.

"Cast of Characters." Gagosian Quarterly (Summer 2019): 76-82.

"Where Do You Stand?" in exh. cat. American Masters 1940–1980 (Canberra: National Gallery of Australia, 2018), 22-29.

"Caught by the Tail," in exh. cat. Paul Noble: New Works (San Francisco: Gagosian Gallery, 2018), 52-63.

"A Certain Place in the World," in exh. cat. Anselm Kiefer: Transition from Cool to Warm (New York: Gagosian Gallery and Rizzoli, 2017), 39-54.

"Beethoven’s Uncertainty," in exh. cat. Max Klinger/Markus Lüpertz: Zeitgenössische Kunst (Cologne: Walther König, 2017), 16-37. In German and English.

"Allegories of Truth," in exh. cat. John Currin (New York: Gagosian Gallery and Rizzoli, 2016), 57-68.

"Present Elsewhere," in exh. cat. Howard Hodgkin: From Memory (New York: Gagosian Gallery, 2016), 82-93. Revised version in Chinese and English, in exh. cat. Howard Hodgkin: In the Pink (Hong Kong: Gagosian Gallery, 2017), 87-101.

"Living in the Air," in exh. cat. Mark Rothko: Works on Paper 1941-1947 (New York: Pace Gallery, 2014), 4-11.

"The Shape of the World," in exh. cat. Michael Chow: Recipe for a Painter (Hong Kong: Pearl Lam Galleries, 2014), 10-17. In English and Chinese.

"Time Laid Bare," in exh. cat. Cecily Brown (New York and Beverly Hills: Gagosian Gallery, 2013), 8-21. Revised version in French, "Le temps mis à nu," in exh. cat. Cecily Brown (Paris: Gagosian Gallery, 2014), 8-26.

"Constellations," in exh. cat. Fred Sandback: Decades (New York and Santa Fe: David Zwirner and Radius Books, 2013), 9-23.

"Studio Artist," in exh. cat. Roy Lichtenstein: A Retrospective (Chicago, London, and New Haven: Art Institute of Chicago, Tate Modern, and Yale University Press, 2012), 72-77.

"Cy Twombly's Cryptic Nature," in exh. cat. Cy Twombly: Works from the Sonnabend Collection (London and New York: Eykyn Maclean, 2012), 12-19.

"Full Circle," in exh. cat. Robert Rauschenberg (New York: Gagosian Gallery, 2010), 12-35. Trade edition published by Prestel February 2011.

"A Substitute for History: The Origins and Exhibition of Rachel Whiteread's Untitled (Room 101), 2003." The Burlington Magazine (November 2010): 736-43.

"Unfolding: Palermo on Paper," in exh. cat. Blinky Palermo: Retrospective 1964–1977, eds. Lynne Cooke, Karen Kelly, and Barbara Schröder (New York and New Haven: Dia Art Foundation and Yale University Press, 2010), 80-101.

"Donald Judd's Works in Concrete." Chinati Foundation Newsletter 15 (2010): 4-15. In English and Spanish.

"Scapegoats and the Contours of Order," in exh. cat. Martín Ramírez: Reframing Confinement, ed. Lynne Cooke (Madrid and Munich: Museo Nacional Centro de Arte Reina Sofía and Prestel, 2010), 39-53. Spanish edition: Martín Ramírez: Marcos de reclusíon.

"Sculptural Common Sense," in exh. cat. Rachel Whiteread (Beverly Hills: Gagosian Gallery, 2008), 7-18.

"New Information on Barnett Newman’s Exhibition History, 1948-52." The Burlington Magazine (July 2008): 473-77.

"Convertible Facts: Richard Serra’s Rounds, out-of-rounds, and Solids," in exh. cat. Richard Serra: Drawings – Work Comes Out of Work (Bregenz: Kunsthaus Bregenz, 2008), 15-41. In German and English.

Shorter articles, exhibition reviews, and editorials:

"Veil & Vault." Gagosian Quarterly (Winter 2018): 120-24.

"Uncharted Territory." Gagosian Quarterly (Fall 2018): 138-42.

Review of "Jasper Johns: 'Something Resembling Truth'" at the Royal Academy of Arts, London. The Burlington Magazine (December 2017): 1006-07

"Solid Recollections." Gagosian Quarterly (Winter 2017): 40-48.

"Funding the Arts in the United States." Editorial, The Burlington Magazine (May 2017): 359.

"Transition from Cool to Warm." Gagosian Quarterly (May 2017): 70-79.

Review of modern and contemporary art in London. The Burlington Magazine (February 2016): 142-44.

Review of David Anfam, Jackson Pollock's Mural: Energy Made Visible. The Art Newspaper (October 2015): 94.

"Cecily Brown." Gagosian Journal (November 2014 – January 2015): 39-41.

Review of "Take It or Leave It" at the Hammer Museum, Los Angeles. The Burlington Magazine (July 2014): 493-94.

Review of "Calder and Abstraction" at the Los Angeles County Museum of Art. The Burlington Magazine (June 2014): 417-18.

Review of "Sam Francis" at the Pasadena Museum of California Art. The Burlington Magazine (December 2013): 861-62.

Review of "James Turrell" at the Los Angeles County Museum of Art. The Burlington Magazine (October 2013): 729-30.

"Confronting the Present: Museums in Los Angeles." Editorial, The Burlington Magazine (September 2013): 591-93.

Review of "Richard Artschwager!" at the Whitney Museum of American Art, New York. The Burlington Magazine (February 2013): 131-33.

Review of "Cai Guo-Qiang: Sky Ladder" at the Museum of Contemporary Art, Los Angeles. The Burlington Magazine (August 2012): 599-601.

Review of the Clyfford Still Museum, Denver. The Burlington Magazine (May 2012): 376-78.

Review of modern and contemporary art in New York. The Burlington Magazine (June 2011): 432-34.

Review of "Suprasensorial" at the Museum of Contemporary Art, Los Angeles. The Burlington Magazine (May 2011): 358-59.

Review of the Hammer Invitational at the Hammer Museum, Los Angeles. The Burlington Magazine (April 2011): 285-86.

"Legends in Disarray," in exh. cat. Anselm Kiefer: Drawings from the Sonnabend Collection (New York: Craig F. Starr Gallery, 2011).

"As Good as it Gets?" Editorial, The Burlington Magazine (September 2010): 579.

Review of "Roy Lichtenstein: Still Lifes" at Gagosian Gallery, New York. The Burlington Magazine (August 2010): 569-70.

Review of "Arshile Gorky: A Retrospective" at the Philadelphia Museum of Art. The Burlington Magazine (March 2010): 193-94.

Review of "Robert Indiana and the Star of Hope" at the Farnsworth Art Museum, Rockland, Maine. The Burlington Magazine (September 2009): 645-46.

"The Arts Under Barack Obama." Editorial, The Burlington Magazine (July 2009): 443.

Review of Donald Judd, Robert Irwin, and Tony Oursler in New York. The Burlington Magazine (June 2009): 424-25.

Review of "Piero Manzoni: A Retrospective" at Gagosian Gallery, New York. The Burlington Magazine (April 2009): 268-69.

Review of "Abstract Expressionism – A World Elsewhere" at Haunch of Venison, New York. The Burlington Magazine (December 2008): 853-54.

Review of "Anish Kapoor: Past, Present, Future" at the Institute of Contemporary Art, Boston. The Burlington Magazine (September 2008): 641-42.

Review of Louise Nevelson at the Farnsworth Art Museum, Rockland, Maine. The Burlington Magazine (July 2008): 502.

"Before Evolution," in exh. cat. Barnett Newman Drawings 1944-46 (New York: Craig F. Starr Gallery, 2008).

Review of Riley, de Kooning, Olitski and other exhibitions in New York. The Burlington Magazine (January 2008): 61-63.